Clifford Possum Tjapaltjarri Anmatyerr people about 1932-2002 Born in a creek bed on Napperby cattle station, Clifford Possum worked from late boyhood as a stockman. It makes accessible the development of a master painter of the Anmatyerre tribe, one of the founders and leaders of Western Desert art. Video excerpt from the ABC documentary 'The Exhibitionists' on Australian female artist Vivienne Binns. Pastor F.W. There is greater visual symmetry in this painting than in its 1976 predecessor; symmetry is a strong influence in the works of many of the early Western Desert artists, including Clifford Possum, Billy Stockman Tjapaltjarri and Kaapa Tjampitjinpa. Tjapaltjarri had been a part of the Papunya art community for four years and was one of their most successful and respected artists, but it was his previous career as a stockman working on central Australias pastoral stations, or ranches, that made him uniquely qualified for the project. For the first time many different legends were told or mapped on one canvas, each story layered one upon the other. Later that year he travelled to the US to attend the Dreamings exhibition at New Yorks Asia Society Galleries. This is a pure example of how . He is one of Australia's most distinguished and best-selling painters of the late twentieth century. It was given extensive media coverage and had record attendances.
. They been using ochres all the colours from the rock. Within this framework, he depicted the land geographically. How much is your Clifford Possum Tjapaltjarri worth? His work has travelled extensively around the world, including 'Dreamings - The Art of Aboriginal Australia' in New York, Chicago, Los Angeles and St Louis. On the stations, Tjapaltjarri roamed the land that had been home to 50,000 years of aboriginal people, displaced by the rapid colonization of the early 1900s. Close product . The incident led to the first conviction of an Australian art dealer for fraud and saw some malicious and undeserved criticism directed against the artist by a number of influential collectors. The omission led scholar Vivien Johnson to conclude that Warlugulong (1977) portrays a narrower geographic area than the preceding work. His skill and inventiveness and his enormous enthusiasm for life made him the most celebrated Aboriginal artist of his generation. No two ways about it: on the Clifford Possum Tjapaltjarri retrospective January 2005 Authors: Andrew Mcnamara Queensland University of Technology Abstract Content uploaded by Andrew Mcnamara. Clifford Possum was said to be a true master artist, his character, charisma, and total dedication to his art and dreamings, as well as his tireless promotion of his and his family's work has set a high standard in establishing this movement from its inception to the present day. The other artists working with him took his lead and removed any elements of European Art from their work. The work had been tipped to fetch up to A$2.5 million, more than double the then-record for Aboriginal art at auction. COMMUNITY: Alice Springs, NT, Clifford Possum Tjapaltjarri was born in Tjuirri, an area north west of Alice Springs also known as Napperby Station. Forty years ago, Kaapa Tjampitjinpa, Tim Leura, Clifford Possum and Johnny Warangula were central to the constitution of contemporary desert art at Papunya. The painting exceeded in size and narrative complexity anything hitherto produced by the Papunya painters. Clifford Possum Tjapaltjarri was the most famous of the contemporary artists who lived around Papunya, in the Northern Territory's Western Desert area, when the acrylic painting style (known popularly as "dot art") was initiated. Go to Artist page. The image is used according to Educational Fair Use, and tagged Maps. This writer had the opportunity to meet Clifford Possum at an exhibition of his paintings and sculpture held at a small inner city Sydney gallery in August 2001, a few months before he became seriously ill. A gentle and quiet-spoken man with a light-hearted sense of humour, Possum was proud of his life as a stockman and passionate about his artistic work. Carved snake (view from front), 1973, Clifford Possum Tjapaltjarri, pigment on wood, 71 x 40 x 15 cm. HID01801242017 Dimensions 50.5in x 28in x 0in Artist or Maker [12], When the Australian government in 2009 introduced a resale royalty scheme, the sale history of Warlugulong was frequently used to argue in favour of the scheme, designed to ensure that artists and their families continued to benefit from the appreciating value of old works.[18][26][27]. Like many other Anmatyerr people, his family moved to the east region of their country following the Coniston Massacre of the mid-1920s. Clifford Possum Tjapaltjarri died in Alice Springs on the day he was scheduled to be invested with the Order of Australia for his contributions to art and to the Indigenous community. View our artist exchanges The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). His subjects usually snakes and lizards were the same ancestral beings later seen in his paintings. While mastering the dot painting techniques used by other Papunya Tula artists, he began drawing on other sources for inspiration. Artworks are displayed solely to aid potential purchasers in making their selection. One [] Chicago, Los Angeles and St Louis 1988, 'Clifford Possum Tjapaltjarri Paintings 1973-1986', retrospective exhibition at the Institute of Contemporary Arts, London; 1990 'l'ete . This website comprises and contains copyrighted materials and works. 193221. There was legal controversy surrounding his burial, as his surviving family and community maintained he wished to be buried in a location different from that specified in his will. To appreciate its full richness it is imperative that it is seen not only by its colour, composition and balance, but by its mythological detail. Clifford Possum Tjapaltjarri - Artist Biography Shopping Cart | Wish List | About Us Artworks Exhibitions Buying Guide Our Services Art & Culture Contact Us Search Aboriginal Artworks Text Search Search Website Colour Range Size and Shape Range Size: Shape: Price Range On Sale Low: High: Region & Theme International Committee of the Fourth International. The artist's works have gone up for sale at public auction 402 times, mostly in the Painting category. [3], Clifford Possum Tjapaltjarri died in Alice Springs on the day he was scheduled to be invested with the Order of Australia for his contributions to art and to the Indigenous community. At last, The Art of Clifford Possum Tjapaltjarri presents a comprehensive account of the work of this extraordinary artist. Closed Good Friday & Christmas day Clifford Possum Tjapaltjarri was an Australian artist born in 1932. Clifford Possum Tjapaltjarri (American, 1932-2002)Dingo Dreaming Oil on canvas 50-1/2 x 28 inches(128.3 x 71.1 cm) Signed on the reverse: Clifford Poss.. 61: CLIFFORD POSSUM TJAPALTJARRI (c. 1932 - 2002) "Worm Dreaming Napperby" Est: AUD 2,000 - AUD 4,000 View sold prices Jan. 04, 2023 Ozbid Auctions LEICHHARDT, NSW, AU After accepting a commission in 1985 to paint a mural for the Araluen Art Centre, Possum moved his family to Alice Springs, the first Papunya Tula artist to do so. His two daughters, Gabriella Possum Nungurayyi and Michelle Possum Nungurayyi, are renowned artists in their own right. His work is featured in many of the main galleries and collections around Australia and internationally. information@nga.gov.au Despite this success and his prolific output, Possums fame did not bring great personal wealth or security. Many of his canvasses have strong figurative elements which stand out from the highly descriptive background dotting. [8] The two images are amongst five that the artist created between 1976 and 1979 that linked the iconography of sacred stories to geographic representation of his country the land to which he belonged and about which he had traditional knowledge. Join the conversation in our Discord, and if you enjoy content like this, consider becoming a member for exclusive essays, downloadables, and discounts in the Obelisk Store. His work lives on through his daughters Gabriella Possum Nungurayyi and Michelle Possum Nungurayyi, successful artists in their own right, who continue to evolve and expand contemporary Australian indigenous art in layered maps of the Dreaming. One of the extraordinary qualities of Clifford's work and other Western Desert artists is that they are a visual writing and speak to the Aboriginal as books do to Europeans.When asked why he became an Artist, he answered,"That Dreaming been all the time. Primary Marketplace ( 2022 ): Australia Clifford Possum TJAPALTJARRI is an artist born in Australia c.1932 and deceased in 2002. [17] It was purchased for A$1,200 by the Commonwealth Bank, which hung it in a bank training centre cafeteria on the Mornington Peninsula. His obituaries, which appeared in newspapers around the world, generally referred to him as Clifford Possum and gave his age as about 70. His older brother Cassidy Possum Tjapaltjarri was a traditionalist who barely gone outside of the Yuelamu community and was one of most respected elder till his passing in 2006, Clifford Possum Tjapaltjarri was the most famous of the contemporary artists who lived around Papunya, in the Northern Territory's Western Desert area, when the acrylic painting style (known popularly as "dot art") was initiated. 1990 Rebecca Hossack Art Gallery Price on request Clifford Possum Tjapaltjarri Women's Dreaming, c1990 Red Desert Dreamings US$49,500-US$61,875 Clifford Possum Tjapaltjarri Worm Dreaming Napperby, 1996 LaiSun Keane US$12,000 Clifford Possum Tjapaltjarri (English) 1 reference. For service as a contributor to and pioneer of the development of the Western Desert art movement, and to the indigenous community through interpretation of ancient traditions and cultural values. In June he received the Order of Australia for his pioneering work in the development of the Western Desert Art movement, and was to be officially invested with the award on the day he died. An established wood-carver and a skilled painter, in the early 1970s Clifford along with his brother Time Leura Tjapaltjarri joined the painting men which soon transformed into the Papunya Tula Artists. A co-founder of the audacious Papunya Tula style and the first Aboriginal painter to be critically acclaimed by art patrons in Europe and North America, Clifford Possums life bore all the scars of poverty and racist oppression confronting Aborigines in central Australia in the 20th century. Hailed as the master and pioneer of Central Western Dot painting, Clifford merged the traditional with the contemporary creating artworks which moved beyond their canvas speaking to all who gaze upon them. Napperby Station, NT
Tjapaltjarri, Clifford Possum (c. 1932-2002) Art Gallery of South Australia, Adelaide, Australia/ Bridgeman Berlin. While white settlers and government officials had driven tens of thousands of Aborigines from Australias richest farming land during the 19th century, the dispossession of central Australian Aborigines did not occur until the early 1900s and continued during the early years of Possums life. [18] Described as "epic"[19] and "sprawling",[20] Genocchio said of it that is "a work of real national significance [and] one of the most important 20th-century Australian paintings". Born in a creek bed on Napperby cattle station, Clifford Possum worked from late boyhood as a stockman. 1-20 out of 145 LOAD MORE. #aboriginal art #australian painting #aboriginal art #aboriginal painting #papunya #western desert #painting #australian art #indigenous australian art #art aborigne #Kunst der . Possum Tjapaltjarri contributed to the Indigenous Australian Art movement and died on June 21, 2002. Flinders University Art Museum Collection. Warlugulong is a 1977 acrylic on canvas painting by Indigenous Australian artist Clifford Possum Tjapaltjarri. His paintings are held in galleries and collections in Australia and elsewhere, including the Art Gallery of New South Wales, the Na In 1976, with the assistance of Tim Leura, he painted Warlugulong 1976, which he later described as his number one painting. In contrast to Namatjiras realistic watercolours, Bardon supplied them acrylic paint and discouraged references to Western images. Although married and father to Gabriella Possum Nungurrayi and Michelle Possum Nungurrayi, Clifford Possum dedicated his time to creating extraordinary three-dimensional artworks widening the circles of knowledge relating to Anmatyerre history, Aboriginal and national history. Born: Napperby, Northern Territory, Australia circa 1932, Died: Alice Springs, Northern Territory, Australia 21 Jun 2002, Language group: His two daughters, Gabriella Possum Nungurayyi and Michelle Possum Nungurayyi, are renowned artists in their own right. This meant removing them from tribal lands and herding them into settlements. Possum's father was Tjatjiti Tjungurrayai and his mother was Long Rose Nangala. https://www.state.gov. [4] He was buried at Yuelamu, which had been the preference of his community and daughters, several weeks after his death.[5]. Diversity in the Desert. Possum was of the Anmatyerre culture-linguistic group from around Alherramp (Laramba) community. In 1988, Londons Institute of Contemporary Art presented an exhibition of his paintings, and a second solo exhibition also in London in 1990 brought him critical acclaim in Europe and North America. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. Clifford Possum Tjapaltjarri is arguably the most famous male Central Western Desert artist, who from 1971 until his death in 2002 dominated the Aboriginal art scene. Tjapaltjarri joined Papunya Tula Artists in February 1972 and was one of their founding directors. Clifford Possum emerged as one of the leaders in this school of painting, which has come to be called the Western Desert Art Movement. While his year of birth is considered to be approximately correct, the day and month remain undocumented. This large canvas (168.5 x 170.5cm) exceeded anything produced by the Papunya Tula artists, both in size and narrative complexity. He was of the Peltharr skin. His working life began at an early age on the Hamilton Downs cattle stationthe very industry that had driven his family from the land. People use them to paint up. All the young fella they bring 'em back kangaroo. Carpet Snake Dreaming. Realities Gallery in Melbourne then included the work in a major exhibition of Papunya Tula artworks. DOB:
Phone:(02) 9555 5283 World:+612 9555 5283680 Darling St. Rozelle NSW 2039 Australia. They put down all the story, same like I do on canvas. Between 1976 and 1979, Tjapaltjarri created a series of large 'map paintings' in which he portrayed these trails as deeds of title to his ancestral land. Sale Date: October 23, 2021. List of all 145 artworks by Clifford Possum Tjapaltjarri. Tjapaltjarri worked alongside many of Australias discrete indigenous cultures, mastering six Western Desert languages and absorbing a vast swath of the traditional stories of the Dreaming. [notes 1] Owned for many years by the Commonwealth Bank of Australia, the work was sold by art dealer Hank Ebes on 24 July 2007, setting a record price for a contemporary Indigenous Australian art work bought at auction when it was After his father, Tjatjiti Tjungurrayai, passed away during Clifford's youth in the 1940s, his mother, Long Rose Nangala, settled at Jay Creek with her second husband, One Pound Jim Tjungurrayai. This painting depicts the sacred Bushfire Dreaming story. +61 2 6240 6411 In 2002 Clifford Possum Tjapaltjarri was appointed an Officer of the Order of Australia for service as a contributor to and pioneer of the development of the Western Desert art movement, and to the Indigenous community through interpretation of ancient traditions and cultural values., Vivien Johnson in 'Tradition today: Indigenous art in Australia, Art Gallery of New South Wales, Sydney, 2014, Open daily As an artist who frequently incorporates celestial-like symbols and motifs in his work, Johnson was drawn to the meditative and intricate quality of dotting and sought permission from the Papunya artists to employ it. Clifford Possum Tjapaltjarri was a significant Aboriginal artist. In the late 1950s he was employed, along with his older brother Tim Leura Tjapaltjarri and other Aborigines, to assist in the construction of Papunya settlement. The unwanted publicity and other pressures had a debilitating impact on Possum and he largely withdrew from the art scene. / He will be sadly missed by those who worked with and knew him well, as well as art collectors and dealers around the world.He worked extensively as a stockman on the cattle stations in and around his traditional country. Video excerpt from the ABC documentary 'The Exhibitionists' on Australian female artist Janet Cumbrae Stewart. But a year later his brother Tim died, deeply affecting Possum and ending many years of a close artistic collaboration. [9], Around this central motif are arranged elements of eight other stories, all of them represented at least in part by sets of footprints. Anmatyerr, Central Desert region. / [6][7] Clifford Possum was the first to make this transition commencing with a related painting, also titled Warlugulong (1976), now held by the Art Gallery of New South Wales. [9][10] The artist's images of this period are visually complex, and contain a wide variety of patterns, unified by strong background motifs and structure. While Possum had two small exhibitions in Brisbane and Melbourne in 1987, his first major retrospective was at Londons Institute of Contemporary Art in 1988. These included a number of paintings depicting Warlugulong, the Bushfire Dreaming story relating to his mother's birthplace. Clifford Possum Tjapaltjarri was born in 1932 in Alice Springs on a creek bed on Nagger by Station. His obituaries, which appeared in newspapers around the world, generally referred to him as Clifford Possum and gave his age as about 70. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Source See Warlugulong in the Kaleidoscope. Lawson Crescent Acton Peninsula, CanberraDaily 9am5pm, closed Christmas Day Freecall: 1800 026 132, Museum Cafe9am4pm, weekdays9am4.30pm, weekends. This iconic painting, 'Man's Love Story' 1978, was purchased by the Art Gallery of South Australia in 1980. Other Aboriginal artists have incorporated western mediums into their work, such as Emily Kngwarreye, Rover Thomas, and Freddy Timms. From our early days, before European people came up. [17], Warlugulong (1977) is acclaimed as a landmark Indigenous painting; a great work by one of the country's foremost artists. In 1980 he began visiting the Papunya settlement and came to know Clifford Possum Tjapaltjarri, Tim Leura Tjapaltjarri, Michael Nelson Jagamara and others, who invited him to paint with them. That Dreaming carry on. Possum received no formal education but knew six Aboriginal languages and a little English. He made a significant impact in 1971 and remained inarguably a noteworthy artist even after his death in 2002. Clifford Possum Tjapaltjarri, AO (c.1937 - 2002) Australia's Most Celebrated Aboriginal Artist. (Art Gallery of New South Wales, 2004). The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians. He began carving in his late teens and had a reputation as a craftsman before the Papunya painting movement began. Possums family, like countless others, existed on government and mission rations with occasional low-paid work on nearby cattle farms. Njega i njegove sunarodnjake je 1960. australijska vlada preselila iz Zapadne pustinje u Alice Springs kako bi se lake asimilirali u zapadnu kulturu. Clifford Possum Tjapaltjarri AO (c. 1932-2002) was a founding member of the artists cooperative established at Papunya in the early 1970s and one of the most renowned practitioners within the Western Desert art movement. The artist's majestic painting Warlugulong (previously bought by the Commonwealth Bank for just $1,200) was auctioned by Sotheby's on 24 July 2007. What is now referred to as the Papunya movement began in 1971, when the men started transferring their designs from the body and the ground onto panels of masonite and other moveable surfaces. Bears artist's name and title on Art Gallery of South Australia, Clifford Possum Tjapalatjarri Retrospective Tour label, on the protective foam core backing attached to the reverse of stretcher. It is named after the place west of Yuendumu where the fire began, indicated by the concentric circles at the centre of the glowing fire-burst, which conveys the explosive nature of the fire. Geoffrey Bardon came to Papunya in the early 1970s and encouraged the Aboriginal people to put their dreaming stories on canvas, stories which had previously been depicted ephemerally on the ground. He learnt ancestral stories from elders like One Pound Jim Tjungurrayi, who took on the role of his father, and was famous for his extensive knowledge of the country. [14][notes 2] Art critic Benjamin Genocchio has referred to the 1977 work as also being by the brothers;[13] however, the National Gallery of Australia credits it solely to Clifford Possum. Clifford Possum accurately described this period as the killing times. (270 x 128 cm.) The artwork he created, called Warlugulong, was the largest the Papunya artists had ever attempted, and combined nine events and locations of the Dreamingthe mythic cosmology of the Aboriginal cultures. Clifford Possum Tjapaltjarri: Warlugulong (2007) 1,758 views Nov 25, 2013 13 Dislike Share Save AGOD - Aboriginal Gallery Of Dreamings 42 subscribers Clifford's painting featured on the news. Clifford Possum led a groundbreaking career and was amongst the vanguard of Indigenous Australian artists to be [1] His older brother Cassidy Possum Tjapaltjarri was a traditionalist who barely gone outside of the Yuelamu community and was one of the most respected elders till his passing in 2006, Clifford Possum Tjapaltjarri was the most famous of the contemporary artists who lived around Papunya, in the Northern Territory's Western Desert area, when the acrylic painting style (known popularly as "dot art") was initiated. Lot includes the original bill of sale from Australian Aboriginal Dreamtime Gallery, 1990 and two photographs of the artist holding the painting.106.29 x 50.39 in. Clifford Possum Tjapaltjarri Australia Born: Napperby, Northern Territory, Australia circa 1932 Died: Alice Springs, Northern Territory, Australia 21 Jun 2002 Language group: Anmatyerr, Central Desert region Biography Clifford Possum Tjapaltjarri was born on Napperby Station about 200 kilometres north-west of Mparntwe (Alice Springs). 1932 c. - 2002 redrock gallery is honoured and proud to presnt the great late Clifford Possum Tjapaltjarri arguably the most famous male Central Western Desert artist, who from 1971 until his death in 2002 dominated the Aboriginal art scene. Clifford Possum Tjapaltjarri, post 1976, Alice Springs/Northern Territory/Australia, Clifford Possum Tjapaltjarri and his brother Tim Leura Tjapaltjarri were selected by Papunya Tula Artists. He was chairman of Papunya Tula Artists in the 1980s and received the Order of Australia in 2002. The work, in fact, sold for $2.4 million; the following day, it was revealed that the National Gallery of Australia had been the buyer. Born:
Possum's father was Tjatjiti Tjungurrayai and his mother was Long Rose Nangala. Watch David Norths remarks commemorating 25 years of the World Socialist Web Site and donate today. By the time he started visiting Papunya in the mid-1960s he had a well-established reputation as a woodcarver, based on his talent for capturing lifelike effects of motion. When Clifford Possum Tjapaltjarri joined this group of 'dot and circle' painters early in 1972 he immediately distinguished himself as one of its most talented members[2] and went on to create some of the largest and most complex paintings ever produced. [notes 1] Owned for many years by the Commonwealth Bank of Australia, the work was sold by art dealer Hank Ebes on 24 July 2007, setting a record price for a contemporary Indigenous Australian art work bought at auction when it was purchased by the National Gallery of Australia for A$2.4million. Pre-auction, the work was expected to make art history as the most expensive Aboriginal canvas at auction. Video, Know My Name By the mid-1970s he was chairman of the company and had emerged as one of its most inventive artists. For a time he experimented with complex striping, linked dotting or overlapping the background with a patching pattern. Images may not be reproduced for any reason without express permission from the artist. Video excerpt from the ABC documentary 'The Exhibitionists' on First Nations Australian female artist Karla Dickens, Wiradjuri people. Got questions, comments or corrections about Clifford Possum Tjapaltjarri? Painting, synthetic polymer paint on canvas, 202.0 h x 337.5 w cm. At first appearing abstract, small human and animal footprints reveal them as maps combining landmarks of Tjapaltjarris country of Tjukurrpa with metaphysical symbols, events and characters from the Dreaming. 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